@height8 There's a keyboard coming out this summer-ish called the Ultimate Hacking Keyboard — split into two, with add-ons for the thumbs (including trackballs and mouse buttons) and I'm almost certainly going to get it. I don't need it, but the trackball thing gets me :D
Do your hands hover over the keyboard?
I got 120WPM on an online test.
// @matigo
@height8 Wow. I can't type on QWERTY without wrist strain anymore — been on Dvorak for too long (and probably for the best). I'm quite iffy with numbers unless it's on a numpad…but then I don't deal with numbers a lot.
I should do a WPM test soon. Haven't in a while.
// @matigo
@height8 So…tempted…but it's definitely for a more creative style of writing than I usually do…
Bit disappointing they don't give choices for the switches. Brown is nice, but red is even nicer IMO.
Best for the wallet, in the end…
// @matigo
Wow. I did this just as a completely random idea, yet the intro soundtracks to both films — music by the same composer — differ only in structure (one is ABA, the other ABC), and key. But even the key part is too good to be coincidence: One is in the relative minor of the other. Both use roughly the same set of instruments.
Time not wasted.
I swear, this is mental: having established that music is an important part of a director's filmic universe, I'm now analysing the intro music for two films — and trying to remember everything I learnt in music theory more than 5 years ago and have never since revised — in order to compare and contrast two directors' universes.
I don't think I've ever properly thanked @matigo for his amazing work.
"So cheers," he said, with a glass of (absolutely wonderful) whisky.